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Lightning in a Jar
LUMA WOWED AUDIENCES
WITH NEW INTERPRETATIONS LIGHT AND THEATRE
By Robert W. McDowell
Last Friday night, The Carolina Theatre in downtown Durham was ablaze
with bright, multicolored ribbons, rivers, hoops and starbursts of light.
Together, these fabulous lights and special effects - including twirling
DNA spirals, pulsing neon EKG lines and magnificent indoor fireworks that
spouted confetti - comprised LUMA: Theatre of Light.
The audience happily bounced to the beat of the classical, jazz and other
mellow music selections that creator and artistic director Marlin chose
to provide a backbeat for three separate suites that, in turn, explored
the wonders of Natural Light, Artificial Light and Metaphysical Light.
Inspired
by astronomy, fireworks, lava flows and physics, the highly imaginative
juggler and magician known only as Marlin invented a new theatrical art
form that can mimic most things and even duplicate cellular multiplication.
LUMA combines
the latest lighting technologies, various physical performance disciplines
and the colorful creations of famous kite designer and performer Marc
Ricketts to create a one-of-a-kind theatrical experience. Marlin, who
has been developing LUMA for 10 years, was joined on stage Friday night
by Jessica Fueger, Rising Gnisir, Sarah Grace and Gretchen Miller. These
four versatile performers danced with a variety of objects that reflected
light colorfully, changed color under black light, etc. They juggled hoops
and other objects, and they manipulated a variety of puppets of varying
sizes. They also performed on trapeze.
By combining
natural and artificial light, Marlin hopes to discover the metaphysical
light within. Ever the emcee of this three-ring circus of light, Marlin
also enjoys creating a carnival-like atmosphere to the spur sale of the
light sticks and curled segments of iridescent plastic string that can
be used to lasso objects and pull them closer to you.
LUMA's imaginative
and highly expressive ways of dancing in the dark, Gretchen Miller's kinetic
choreography, Miller and Fueger's work on the trapeze and Kira Maerlyn's
elaborate black-on-black costumes were real crowd-pleasers Friday night.
Seven-time Tony(r) Award winner Jules Fisher also served as creative consultant
to the company.
LUMA provided
a fascinating and never-to-be-forgotten two hours of effervescent comic
sketches for children of all ages. My favorite numbers were the dog-eat-dog
(or rather fish-eat-fish) world of the electric aquarium, the stick figures
making like Fred Astaire and Ginger Rogers and every segment in which
"soft" fireworks or kites were employed. Trying to describe most of the
magic that Marlin worked here would be like trying to describe what happens
when you catch lightning in a jar. Marlin not only controls the lightning,
but also unleashes it brilliantly, earning extended applause and inspiring
awe from a very appreciative audience. |